![]() ![]() It’s nice to know that we can embark on our journey to multichannel production without having to give up our favorite mics, preamps and signal processing. Thankfully, many of the tools that we need for surround production are identical to the mono and stereo items that fill our studio spaces. However, surround - real surround not “rechanneled for 5.1” stuff - is definitely the present (and certainly the future) of music production, whether you’re working in LCRS, 5.1, 6.1 or more and in Dolby Surround, DVD-Video, DVD-Audio, DTS, SACD or custom playback systems for special-venue presentations, thrill rides, etc.ĭangerous Music Danger Monitor ST and SR modular monitor controller adapts to stereo or surround. Other than audio for feature films, advanced games or network television programming, the vast majority of the audio we hear is still in stereo. If you’ve upgraded your DAW or console lately, then you’ve probably got surround production on your mind - or at least in your eventual plans. ![]()
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